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Frontline television programme: preparation and aftermath

Includes transcript of the Frontline television programme originally broadcast on 1 February 1980; a copy of the Broadcasting Complaints Commission’s decision regarding the complaint made by Father Clifford; copy of letter sent by Colum Kenny to the Cork Examiner in May 1981 requesting that the newspaper publish the Commission’s decision; newspaper cuttings; some research notes written by Colum Kenny [?for the programme]; copy of letter dated 11 January 1980 from Father Clifford to parishioners in the Beara Peninsula condemning the article published in the Berehaven News about the affair; press release from Berehaven News in response to Father Clifford’s letter; Berehaven News, Vol. 1, No. 3, (1979), featuring the original article, and reference material relating to the Broadcasting Authority (Amendment) Act, 1976.

Mid-Week Pictorial with image of Arthur Griffith on front cover.

Mid-Week Pictorial was an illustrated weekly newspaper supplement published by The New York Times. Includes a full-page photograph of Arthur Griffith on the front cover, describing him as the 'Head of the Irish Free State'. Inside is a one-page feature about Ireland including photographs of five government ministers: George Gavan Duffy, Richard Mulcahy, Michael Collins, Eamon J Duggan, WT Cosgrave.

Colum Kenny purchased this journal from a bookshop in the USA in March 2010, through www.abebooks.com. File includes the relevant section of Colum Kenny’s original finding aid for the collection that notes that Mid-Week Pictorial was purchased from www.abebooks.com, the shipping manifest for the item, and the address of the bookshop that the newspaper was purchased from.

Nationality, volume 1, numbers 32, 34 and 36

File includes issues published on 22 January 1916 (volume 1, Number 32), 5 February 1916 (volume 1, Number 34) and 19 February 1916 (volume 1, Number 36). Address: 12 D’Olier Street, Dublin. Edited by Arthur Griffith. Proprietor: Sean MacDermott. Price: one penny.

The Irish Nation, volume 1, numbers 17 and 48.

Includes issues published on 14 October 1916 (volume 1, number 17) and 19 May 1917 (volume 1, number 48). Issue number 17 features an article about the lack of rebuilding taking place in Dublin city centre following the 1916 Easter Rising, and includes a sardonic reference to the rebuilding of the Kenny's Advertising Agency building, suggesting this is related to 'big cheques' from the 'profitable business' of 'Recruitment in Ireland'. See sub-series 'Recruitment Controversy for further context about this topic. Issue number 48 includes the banner: 'Organ of the Repeal League and Independence Association'. Price: one penny.

To-morrow, volume 1, numbers 1 and 2.

Two issues of the literary magazine edited by Henry Francis Montgomery Stuart and Cecil Salkeld featuring contributions from Irish poets, writers and artists including WB Yeats, Lennox Robinson and Liam O’Flaherty. Volume 1, number 1 from August 1924 includes: ‘The Madonna of Slieve Dun’ by Lennox Robinson; ‘A Red Petticoat’ by Liam O’Flaherty; ‘Leda and the Swan’ by WB Yeats; ‘The Japanese Pine’ and ‘Just Now’ by Charlotte Arthur; ‘Be a Trembling Petal’ by Henry Francis Montgomery Stuart; ‘“As I was Among the Captives”’ by Joseph Campbell; ‘The Principles of Painting’ (with illustration) by Cecil Salkeld; an editorial by Henry Francis Montgomery Stuart and Cecil Salkeld; ‘Sonnet’ by OF Fleck; ‘Why we Live’ by ‘“Sachka”’; ‘A Primitive’ by LK Emery; Colour by Margaret Barrington, and ‘Alba’ by RND Wilson.

Volume 1, number 2 from September 1924 includes: ‘Honore Dumier’ by Arthur Symons; ‘The Garden’ by ‘Sachka’; ‘Marriage Song’ and an untitled poem by Blanaid Salkeld; ‘Wet Loveliness’ and ‘The Horse-Breaker’ by FR Higgins; ‘Two Poems’ [‘An Etching’ and ‘Gifts’] by Charlotte Arthur; ‘An P’ [in the German language] by OJ Fleck; ‘The Sea’ by RND Wilson; ‘In the Hour before Dawn’ by Henry Francis Montgomery Stuart; ‘The Popular Road’ by Iseult Stuart; ‘The Principles of Painting’ [continued from volume 1, number 1] (and illustration) by Cecil Salkeld, and ‘The Tendencies of the Younger Irish Poetry’ by LK Emery.

The address of the journal publisher is given as 13 Fleet Street, Dublin in volume 1, number 1 and is given as Roebuck House, Clonskeagh, Dublin in volume 1, number 2. Price of the journal is six pence.

Articles and research by Colum Kenny on Cyril Cusack's time living in Bray, Wicklow.

File includes newspaper cutting of article written by Colum Kenny published in Bray People on 15 October 1993. The article concerns Cyril Cusack's time living with the Muggeridge family in Bray and includes many of the reminiscences included in Grace Watt's (née Muggeridge) letters to Kenny. Her letter to Kenny dated 27 October 1993 [see item: C2/3/3/1 (15)] discusses the article. Also includes a longer unpublished article by Kenny titled Cyril Cusack Lived in Bray and photocopies of the roll book (featuring an entry for 'Cyril O'Rorke' [Cusack's birth name]) from St Paul's National School, Bray, which Cyril Cusack attended.

Awarding of the Portuguese rank of Cavaleiro of the Military Order of Christ to Kevin J Kenny.

Includes a certificate (in Portuguese) conferring on Kevin John Kenny, honorary Vice Consul of Portugal, the rank of Cavaleiro of the Military Order of Christ. His name is inscribed incorrectly as ‘Kelvin’ on the certificate. Also includes an English translation of the certificate by the Portuguese Consulate in Dublin, and a black and white photograph of Kenny receiving the cross, which is the insignia of the order, from Dr Henrique Bacelar de Caldeira Queiroz, the Portuguese Consul. Standing between them is the apostolic nuncio, Most Rev Pascal Robinson.

British Army transcribed signals from the landings at Gallipoli, 25-26 April 1915.

Includes four '"C" Form[s], Messages and Signals' [transcribed signals] relating to units of the 86th Brigade who would have been on active service as part of the 29th Division on the Gallipoli peninsula in April 1915 [see file C2/1/2/2/3 for further context]. The forms include handwritten signals in pencil, with messages such as: 'Send reinforcements. Urgently required. I have no men.'; 'I am unable to hold out. Send reinforcements. Urgent.' and 'No answer to last message. The wire must be cut. I have sent patrol. Firing is very near.'

Some of the signals are signed 'J Murphy' who Colum Kenny suggested may have been Kevin J Kenny's brother-in-law, Jack (John) Murphy.

Correspondence between Seán O’Faoláin and Colum Kenny.

File includes one letter from Kenny to O’Faoláin, and two letters from O’Faoláin to Kenny concerning the documentary and other topics. Kenny’s asks O’Faoláin in his letter dated 28 August 1978 if will agree to be interviewed for the documentary, to which O’Faoláin agrees by returning Kenny’s original letter with annotations answering several of Kenny’s questions and dating his reply 29 August 1978. The second letter from O’Faoláin [?from September 1978] is titled ‘CENSORSHIP’ and appears to have been written following the recording of their interview, with O'Faoláin elaborating on some of the points he made about censorship in Ireland during the 1930s and 1940s, and expresses an admiration for Marina Warner’s book Alone of All Her Sex.

File also includes an [Irish Times] newspaper cutting from [25 February] 1993 of a letter to the editor by Maurice Harmon in which he notes that he is ‘writing the life’ of O’Faoláin and ‘would like to hear from anyone who may have information, or recollections that may be helpful.’ It is possible that Kenny contacted Harmon about his own correspondence with O’Faoláin.

Correspondence between the Imperial War Museum and Colum Kenny regarding British Army transcribed signals from Gallipoli.

Includes letter and printout of e-mail from Anthony Richards, archivist at the Imperial War Museum, London, who describes items in file C2/1/2/2/2 as ‘transcribed signals’. Richards suggests that the signals relate to units of the 86th Brigade who would have been on active service as part of the 29th Division at Gallipoli during April 1915. Also includes copy letter from Kenny to Diane Lees, Director-General of the Imperial War Museum, London, regarding these transcribed signals and his grandfather Kevin J Kenny's recruitment advertising work around the time of the 1916 Easter Rising (see sub-series C2/1/1/2).

Documents and correspondence relating to legal reform.

Includes report titled ‘Free Legal Aid Scheme as proposed by Socialist Law Group’ written by Colum Kenny for the Pringle Committee on Legal Aid following a 1974 visit to the USA and Canada to research legal aid there; petition to King’s Inns proposing the change of its motto 'Nolumus Mutari' ('We do not wish to change' or 'We do not wish to be changed'); a rejection by the benchers Standing Committee of this proposal; and printouts and a newspaper cutting relating to a finding by the Competition Authority that the Irish legal profession was in need of reform.

Images of the Muggeridge family.

File consists of a photograph of George Muggeridge and printouts of a scanned postcard and photograph. The photograph was originally included with letters sent by Grace Watt (née Muggeridge) to Colum and Catherine Kenny (see letter from Watt to Kenny dated 21 September 1988; item C2/3/3/1 (1). The printouts were likely created by Colum Kenny having scanned photographs and the postcard sent by Grace Watt. The original photograph and postcard are not included in the collection.

The faded black and white photograph of George shows him as a boy standing in the garden at 1 Herbert Terrace, Bray. A letter from Grace Watt (née Muggeridge) to Colum Kenny [see item C2/3/3/1 (1)] dated 21 September 1988 describes this photograph: 'Brother George among the cabbages in your garden!'

The postcard printout is from 'Mother' [?Elizabeth Clara Muggeridge] to 'Darling Daughter' [?Mabel Elizabeth Muggeridge] and is dated 26 May 1924. The image on the front of the postcard (of people sitting on the strand and swimming in the sea at Bray Beach] apparently includes members of the Muggeridge family according a handwritten annotation on the printout. The caption printed on the image is: 'The Sea Shore, Bray, Co. Wicklow'.

The photograph printout is a portrait of the Muggeridge family taken in a photographic studio. A typed note attached to the printout identifies the members of the family and the ages of the children in the image.

File also includes part of an envelope [in which the photograph of George Muggeridge was originally contained] with handwritten annotation [?Colum Kenny].

Issues of The Freeman's Journal and The Evening Standard published following the destruction of their respective printing presses.

File includes: two reduced single-sheet-formatted versions of the Freeman’s Journal from 30 and 31 March 1922, and a four-page single-sided-sheet version of the Evening Telegraph (Dublin) from 1 April 1922. The Anti-Treaty IRA destroyed the printing presses of both newspapers in March 1922.

Kenny Family Collection: newspaper cuttings.

The newspaper cuttings provide a detailed insight into the life and career of Kevin J Kenny in particular, with many articles relating to his involvement in numerous professional, Catholic and charitable organisations.

Most of the newspaper articles were downloaded and printed from the website www.irishnewsarchive.com by Colum Kenny. File also includes photocopies of photographs, publications associated with Kenny’s Advertising Agency and newspaper cuttings.

Letter from Mary Rose Cunningham to Grace Watt.

Cunningham writes to Watt regarding her husband, Cyril Cusack's, recent death and thanks Watt for her letter of sympathy. Cunningham discusses how Cusack and Watt 'went back along [sic] way', how Cusack had been diagnosed with motor neurone disease the previous April, and her wish that Watt and Cusack could have met again before his death.

Also includes a related note from Watt to Colum Kenny describing Cusack's death as '[t]he end of a particularly happy period in the latter part of [my] life which I owe entirely to you. If you had not spoken to Cyril none of this could have happened.' Watt included this note with the letter from Cunningham when she forwarded them onto Kenny in November 1993.

Letters from Cyril Cusack to Colum Kenny.

Two typed and signed letters from Cusack to Kenny dated 17 September and 4 October 1990. Cusack writes from London where he is acting [in a production of Anton Chekhov's Three Sisters at the Royal Court Theatre] and thanks Kenny for passing on a letter from Grace Watt (née Muggeridge), and for Kenny’s invitation to visit his house in Bray (1 Herbert Terrace). The Muggeridge family had lived in the house in the 1920s, and Cusack and his mother had lived with them for two to three years around 1922. Cusack discusses his recent attempt at writing an autobiography and remembers Grace and the Muggeridge family fondly.

Letters from Cyril Cusack to Grace Watt.

17 September 1990 - C2/3/3/3 (1)
Typed and signed 4-page letter. Cusack writes from London where he is acting in a production of Anton Chekhov's Three Sisters at the Royal Court Theatre. He discusses how he had met Colum Kenny at an event at the Shelbourne Hotel, Dublin, [in 1989] and that Kenny had mentioned 'that a woman called Grace Muggeridge' had called to his house in Bray and that he had a letter from her which he would like to show to him. He mentions that Kenny subsequently shared some letters from Watt with him. Cusack notes that it is 70 years since Watt and he have been in contact and goes on to recall various individuals and events from his time living with the Muggeridge family in 1922 (such as seeing the local barracks in Bray on fire during the Civil War). File also includes a photocopy of the letter.

29 March 1991 - C2/3/3/3 (2)
Typed and signed 1-page letter. Cusack writes from London where he is 'selling [his] soul to the Devil' [sic] doing a commercial. He mentions that he is travelling between Dublin, Paris and London over the next few weeks and regrets that he is neglecting to write his autobiography. He agrees with Watt that it would be good to meet and suggests doing so during his 'next trip over'. He also mentions that 'I think you must have had the news of Jeremy's win before I did. I'm glad he got it, he's a good lad as well as being a good actor.' [This possibly refers to Jeremy Irons winning the Academy Award for Best Actor on 25 March 1991 for the film Reversal of Fortune. Jeremy is married to Cusack's daughter Sinéad].

11 April 1991 - C2/3/3/3 (3)
Typed and signed 1-page letter. Cusack writes from Dublin that he has also read 'the Tim Pat Coogan, a big job of work, with a big bias against Dev [Eamon de Valera]. And I'm something of a Dev man, like it or not' [this may refer to Tim Pat Coogan's book, Michael Collins, which was first published in 1991]. He discusses one of his own poems relating to the Anglo-Irish Treaty from his book, Between the Acts and Other Poems, and ponders he and Grace could meet up. He suggests 'somewhere in the Chiswick [London] vicinity' but 'wish[es] it could be here' [Dublin].

23 April 1991 - C2/3/3/3 (4)
Typed and signed 1-page letter. Cusack writes from London where he is 'just back from Paris' and 'on-going to Dublin TO-DAY' [sic] and is thus unable to meet Watt. He mentions that at the beginning of May he will be in Stonyhurst [Lancashire, England] 'on a documentary about the Jesuits (!!!)' [sic], and in the west of Ireland 'on a film for Hollywood.'

14 May 1991 - C2/3/3/3 (5)
Typed and signed 2-page letter. Cusack writes from Dublin detailing his 'tiresome' schedule of work and travel including having to travel to Dingle, County Kerry, in two days to rehearse 'with current film idol, Tom Cruise' [?for the film Far and Away]. He writes of recent experiences as an 'octogenarian in solitary near-confinement', including locking himself out of his house three times, and of another 'crisis' when he forgot to bring money to the supermarket, had to borrow 'a tenner' from the local newsvendor, and having his 'lamb chop' stolen on his return home by a stray cat because he left the back door of the house open.

5 June 1991 - C2/3/3/3 (6)
Holograph letter 2-page letter. Cusack writes from London that he is 'chasing back to Ireland in a day or two' having worked on a documentary 'for American TV’ on Stonyhurst, '[t]he Jesuit College'. A further day of filming is planned for early July in London and he wonders if 'we might strike up then?' Mentions that he 'has to come up with the "few words"' having been asked to open the Synge Summer School [Cusack opened the inaugural John Millington Synge summer school in Rathdrum, County Wicklow].

8 August 1992 - C2/3/3/3 (7)
Holograph 2-page letter. Cusack writes [from Dublin] and opens the letter with: 'a Ghráinne, a ghráibh (did you know your name in Irish?)'. Mentions that he has 'to be brief this time – as time is running out' and that 'my recent effort on stage – The Cherry Orchard – sees me out ... curtains for Cusack!' [Cusack acted in a production of Anton Chekhov's The Cherry Orchard at the Gate Theatre as part of the Dublin Theatre Festival in 1992].

20 September 1992 - C2/3/3/3 (8)
Typed and signed 1-page letter. Cusack writes from Dublin saying that he 'may not properly have answered [Watt's] letter of the 30th July'. Mentions 'volley' of photographs Watt has received from him and that his 'actor's ego is unsurmountable; can't help it.' Also mentions a previous query from Watt which he failed to answer about 'Colm Kenny's request regarding my stay with the Muggeridge's' [sic]. He tells Watt to 'go ahead with whatever you may like to say' [Colum Kenny was writing an article at the time about Cusack and Number 1 Herbert Terrace. See Watt's letter to Colum and Catherine Kenny dated 8 October 1992; item C2/3/3/1 (11)]. He also notes that he never referred to a letter from George [Muggeridge, Grace's brother, who lived in Australia] to Sir Garfield Barwick, [seventh Chief Justice of Australia, and George's wife's brother-in-law], and Cusack notes that 'George didn't take too readily to Ireland or the Irish' [Cusack and George were childhood friends when they lived in Bray. See Cusack's letter to Watt dated 17 September 1990; item C2/3/3/3 (1)]. Cusack mentions that he is '(supposedly) engaged [...] on an autobiography' but is 'slipping into fatigue, whether permanently or otherwise [...]' An attempt was made to block out part of a line in the letter with black marker [?whether this was blocked out by Cusack, Watt or Colum Kenny is unclear]. The line appears to read: 'Possibly for that reason three of my progeny appear to have alienated themselves from their father.' A typed note by Watt addressed to Colum Kenny is included with the letter in which she gives the context for Cusack’s mention of Kenny in the letter.

14 December 1992 - C2/3/3/3 (9)
Typed and signed 2-page letter with handwritten annotation by Cusack. Written in Dublin, the letter discusses Cusack's salary at the Abbey Theatre 'in those happy days', his recent health and reminisces about various childhood sweethearts. His handwritten annotation discusses his first wife, Maureen Cusack (née Kiely), whom he describes as a 'good actress' and a 'favourite of [Micheál] Mac Liammóir' [co-founder of the Gate Theatre]. Included is a typed note from Watt to Colum Kenny giving further context to Cusack's remark in his letter that he would 'not have been quite up to [Watt's] requirements and regulations even for a proposal.'

[?1993] - C2/3/3/3 (10)
Holograph 2-page letter. Cusack writes from London that he thought they 'might meet up this time but now it seems not like it.' He says he is 'afraid that my acting career is at an end, due to increasing deafness – a rotten complaint – on the stage [...]' He suggests though that he 'may yet be able for cinema or TV'. Letter also includes a typed note from Watt to Colum Kenny saying: 'On reading this again it seems rather prophetic.'

Letters from Eric Cross to Colum Kenny.

File consists of three letters (dated 28 July 1978; [September-October] 1978; and [November] 1978) mainly concerning Cross' book The Tailor and Ansty; Kenny's documentary and his attempt to find someone to interview who was critical of Cross' book; and an RTÉ dramatisation of the book which was broadcast on the same night as the documentary on 31 October 1978. File also includes a note by Cross about the 'unbanning' of the book [in the 1950s] and its reissue in 1964.

Letters from Grace Watt to Colum and Catherine Kenny.

The majority of the letters are addressed to both Colum and Catherine Kenny, while some are only addressed to Colum. All letters are typed and signed, some include handwritten annotations. File also includes copy letters from George Muggeridge (Grace's brother) and Sir Garfield Barwick (friend of George Muggeridge). Watt often mentions that she has included photographs with the letters. Some of these photographs are included in files C2/3/3/6-8, but several are not included in the collection.

21 September 1988 – C2/3/3/1 (1)
Encloses photographs of the Muggeridge family at 1 Herbert Terrace, Herbert Road, Bray, County Wicklow in the 1920s. Also shares photos of her current home in Harrow, London, and of a recent trip to visit her brother George in Australia [photographs not included with letter]. Thanks Colum and Catherine Kenny for their welcome when Grace and her husband Jack (John) visited in the summer of 1988. Related photograph of George Muggeridge is included in this series [see item C2/3/3/6].

28 September 1988 – C2/3/3/1 (2)
Encloses photographs of their visit to 1 Herbert Terrace in 1988 [photographs not included with letter].

9 January 1990 – C2/3/3/1 (3)
Sends Christmas greetings and says: 'Delighted to hear of your recent encounter with Cyril Cusack (known to me as Cyril O'Rourke)' [sic]. Also mentions: 'My beloved brother George passed away on 16th Dec[ember 1989].'

19 September 1990 – C2/3/3/1 (4)
Includes a copy of letter she received from Cyril dated 17 September 1990. Writes to Colum Kenny: 'I had one of the nicest surprises of my life today and it was all due to you!'

5 November 1990 – C2/3/3/1 (5)
Gives details of Bray in the 1920s, family history of 1 Herbert Terrace, and moving back to England in 1926. Says that she is waiting to hear back from Cyril. Asks Colum and Catherine Kenny to confirm her recollections of Michael Collins' funeral.

6 February 1991 – C2/3/3/1 (6)
Thanks Colum and Catherine Kenny for Christmas cards and views of Bray. Mentions her admiration for Cyril and that she is a year younger than him. Encloses her last photograph of 1 Herbert Terrace.

11 December 1991 – C2/3/3/1 (7)
Mentions that she and Cyril have been writing to one another, but that they are struggling to find time to meet. Notes that she is going to be 80 years old in March.

11 January 1992 – C2/3/3/1 (8)
Thanks the Kennys for Christmas card and for informing the Watts about works to 1 Herbert Terrace. Reminisces about travelling abroad for past Christmases.

22 January 1992 – C2/3/3/1 (9)
Mentions that she has been reading Cyril Cusack's book of poetry Between the Acts and Other Poems.

12 August 1992 – C2/3/3/1 (10)
File consists of a letter from Grace to Colum Kenny, and photocopies of two letters between Sir Garfield Barwick and George Muggeridge. Grace's letter discusses her brother George in Australia and how she had previously sent him audio tapes recorded during her and Jack's visit to Ireland in 1988. According to the letter, George and his wife ['Val'] wrote to Val's sister and husband [Sir Garfield Barwick], and Grace encloses copies of their correspondence and notes that she has also sent copies to Cyril. Grace shares reminiscences about 1 Herbert Terrace and of Cyril and George being in the sea scouts as children.

In the letter from Sir Garfield Barwick, he tells George Muggeridge that he enjoyed the audio tape of Grace and John Watt's visit to Ireland very much, and tells George that he never told him why he decided to come to Australia. George writes back and shares details of his personal and family history. Discusses living in Bray briefly and the hardship his family experienced in Ireland: 'They [the Irish people] treated him [George's father] very badly, burnt down his shop and robbed him of equipment'. See also letter dated 20 September 1992 from Cyril Cusack to Grace Watt regarding these letters.

8 October 1992 – C2/3/3/1 (11)
Grace apologies for delay forwarding on Cyril's remarks about Colum Kenny's proposal to write an article on Cyril and Number 1 Herbert Terrace. Passes on Cyril's remarks from a letter to her dated 20 September 1992: 'That's alright, go ahead with whatever you may like to say, whether good or bad but not indifferent.' Notes that Cyril has said that he is going to retire soon and that he plans to write an autobiography.

7 March 1993 – C2/3/3/1 (12)
Thanks Kenny for sending on a draft of his writings on 'The History of Herbert Terrace, Bray' ('one of the loveliest surprises I have ever had'). Mentions that Cyril's wife [Mary Rose Cunningham] telephoned about trying to meet in London in March.

13 March 1993 – C2/3/3/1 (13)
Sends condolences on the deaths of both Colum and Catherines' fathers. Discuss the recession and how it is a challenging time to be raise a family. Grace says she has sent copies of Colum's History of Number 1 Herbert Terrace to her bother George's widow, Val, and to Val's sister [Norma ('Lady Barwick')] and her husband Sir Garfield Barwick.

13 October 1993 – C2/3/3/1 (14)
Thanks Kenny for passing on newspaper cuttings regarding death of Cyril Cusack. Discusses Cyril's health and references to this in his letters, his sense of humour. Grace notes that she got the impression from his letters that he lived alone. Mentions her friendship with her grand-nephew, Jim Hall, and his interest in the family's connection to Ireland.

27 October 1993 – C2/3/3/1 (15)
Discusses Colum Kenny's article in Bray People [published 15 October 1993] about Cyril, Grace and Number 1 Herbert Terrace [this article is included in this series, see file C2/3/3/9]. Discusses her willingness to give Colum the original letters from Cyril: 'I feel most strongly that you are the only person who understands my affection for Cyril.' Says she will add any necessary comments to letters. Discusses Cyril's life, saying it 'seemed to be a little but odd'. Reminisces about activities they got up to in Bray as children and her friendship with 'Mrs Sutton', a Bray resident.

[?18 November 1993] – C2/3/3/1 (16)
Undated letter, but sent on 18 November 1993 according to a handwritten annotation in pen on the first page of the letter [?by Colum Kenny]. Discusses that her husband Jack (John) had a transient stroke; how she hurt her foot while helping him, and their trip to the hospital. Also notes that she has forwarded on the letters and photographs she received from Cyril to Colum Kenny. Also included is the envelope in which the letters were originally contained.

7 January 1994 – C2/3/3/1 (17)
Two letters. Notes that the other letter of the same date gives him 'permission to donate Cusack correspondence to library' [?National Library of Ireland]. Also includes discussion of her getting a word processor; Colum's mother being unwell; Jack's transient stroke, and thanks Colum for forwarding on articles about Cyril. The second letter in the file details the transfer of ownership to Kenny of the letters Grace received from Cyril.

28 August 1994 – C2/3/3/1 (18)
Encloses photographs of Jack (John) and herself. Mentions that Jack recently turned 80 years of age; discusses his birthday celebrations; her grandnephew Jim Hall's travels in Malaysia and Indonesia, and their correspondence with one another.

Letters from Nancy McCarthy-Allitt to Colum Kenny.

File consists of seven letters (dated 16 July 1978; 20 August 1978; 16 September [1978]; 1 October 1978; 7 November 1978; 18 December 1978; and 1 May 1980). McCarthy-Allitt was interviewed by Kenny for the documentary in 1978 and the letters concern her memories of her close friends Timothy (‘the Tailor’) and Anastasia ('Ansty') Buckley, arrangements for the interview, her praise for the finished documentary and Kenny's professionalism, and reaction to the documentary from customers in her chemist shop in Douglas, Cork. Other notable friends of McCarthy-Allitt mentioned in the letters include Seán O’Faoláin, Frank O’Connor and Seamus Murphy. File also includes a poem by O’Connor, 'In Memory of Timothy Buckley "The Tailor"', in McCarthy-Allitt's handwriting.

Some of the corresponding letters from Colum Kenny to McCarthy-Allitt are available in the Nancy McCarthy Collection, Archives Service, UCC Library, University College Cork.

Photographs of Grace and John Watt, and 1 Herbert Terrace, Bray.

Consists of a colour photograph of Grace and John (Jack) Watt sitting on an armchair in a living room, and a colour photograph of 1 and 2 Herbert Terrace, Herbert Road, Bray, County Wicklow. A handwritten annotation on the reverse of the photograph of Herbert Terrace identifies number 1 as the house with the red door. These photographs were originally included with letters from Grace Watt to Colum Kenny [see items C2/3/3/1 (2) and C2/3/3/1 (6)].

Pro-Home Rule postcard featuring images of John Redmond and other notable Irish and British political figures.

Two copies of postcard featuring a photograph of John Redmond surrounded by a garland and two shamrocks on a green background. Above the image is printed 'Éire Saor' [Free Ireland] and below the images is written 'home rule', and also two verses in Irish entitled 'Curaí'. A tab enables one to raise the image of Redmond off the card allowing a folded strip of six photographs to drop down. The strip includes photographs of following: William E Gladstone, Charles Stewart Parnell, HH Asquith, the 'Old Irish Parliament' [Parliament Building, College Green], Joseph Devlin and John Dillon. Beneath the portraits are three verses of ‘A Nation Once Again’. Postcard printed by Valentine & Sons Limited, Dundee.

Promotional photographs, postcards and flyer featuring Cyril Cusack

Promotional photographs and postcards of Cyril Cusack acting in various theatre and television productions in the 1970s and 1980s. These items were enclosed with a letter from Cusack to Grave Watt [see item C2/3/3/3 (8)]. Most of the photographs and postcards include handwritten captions by Cusack on the reverse of the item.

File includes: photographs of Cusack in ‘You Never can Tell’ [Abbey Theatre production from 1978]; ‘Cry of the Innocent’ [television film from 1980]; ‘Merchant of Venice’ [?Abbey Theatre production from 1984]; ‘Carousel’ [Tivoli Theatre, Dublin from 1991]; two photographs of Cusack in unidentified productions (one appears to be a theatre production). Postcards depict Cusack in the title role of the Abbey Theatre production of ‘Hadrian VII’ in 1970 (includes caption by Cusack: ‘This speaks for itself – my papal blessing’) and as Frederick Dorrit in the film ‘Little Dorrit’ [1987].

File also includes a promotional flyer for a National Theatre production of ‘The Plough & the Stars’ featuring an image of Cusack in the role of Fluther Good [?in 1977].

Also included is an envelope [in which the items were originally contained] with handwritten annotations by Grace Watt and Colum Kenny. Watt notes: ‘My favourite – “Cry for the Innocent”. I have kept a couple – he sent me two of himself as the Pope. This was his sense of humour. He knew I was an atheist.’